Aida
By Giuseppe Verdi
Thursday, April 6, 2025
Estimated Run Time - 3 Hours and 5 Min.
Sung - Italian
Met Titles - English
5:00pm - Courtyard opens - with small meals from Amalia Café.
6:00pm - Screening starts
"Aida Reimagined: Angel Blue’s Stunning Met Role Debut in a Dazzling New Staging of Verdi’s Epic Masterpiece!"
Soprano Angel Blue makes her long-awaited Met role debut as the Ethiopian princess torn between love and country, one of opera’s defining roles.
Music Director Yannick Nézet-Séguin takes the podium for the New Year’s Eve premiere of Michael Mayer’s spectacular new staging, which brings audiences inside the towering pyramids and gilded tombs of ancient Egypt with intricate projections and dazzling animations. Mezzo-soprano Judit Kutasi, following her 2024 debut in Verdi’s La Forza del Destino, is Aida’s Egyptian rival Amneris, sharing the role with Elīna Garanča, who returns to the Met for the first time since 2020. Leading tenors Piotr Beczała, SeokJong Baek, and Brian Jagde alternate as the soldier Radamès, who completes the greatest love triangle in the repertory.
The all-star cast also features baritones Quinn Kelsey, Amartuvshin Enkhbat, and Roman Burdenko as Amonasro and basses Dmitry Belosselskiy, Alexander Vinogradov, and Morris Robinson as Ramfis. Christina Nilsson makes her Met debut in the title role in March, and Alexander Soddy shares conducting duties.
Ticket Pricing
Adults - $20 Teachers - $10 Students & Children - Free of charge
5:00pm - Courtyard open with small meals by Amalia Café
6:00pm - Start of the concert
To purchase your ticket, click the link below:
Aida
World Premiere
World Premiere: Khedivial Opera House, Cairo, 1871. This grandest of grand operas features an epic backdrop for what is in essence an intimate love story. Set in ancient Egypt and packed with magnificent choruses, complex ensembles, and elaborate ballets, Aida never loses sight of its three protagonists. Few operas have matched Aida in its exploration of the conflict of private emotion and public duty, and perhaps no other has remained to the present day so unanimously appreciated by audiences and critics alike.
Creators
In a remarkable career spanning six decades in the theater, Giuseppe Verdi (1813–1901) composed 26 operas, at least half of which are at the core of today’s repertoire. His role in Italy’s cultural and political development has made him an icon in his native country. The story of Aida is thought to be the creation of Auguste Mariette (1821–81), an extraordinary French archaeologist who was the founder of the Egyptian Museum of Cairo. Camille du Locle (1832–1903), who collaborated on the scenario with Mariette and suggested the story to Verdi, had worked with the composer on the libretto of Don Carlos. Aida’s librettist, Antonio Ghislanzoni (1824–93), was a novelist and poet as well as the creator of some 85 libretti.
Setting
The libretto indicates merely that the opera takes place in “ancient Egypt, in the time of the pharaohs.” This may sound vague, but it was a clear direction to approach the drama as myth rather than anthropology or history.
Music
The score of Aida is a sophisticated example of Italian Romanticism, imbued with a convincingly mysterious and exotic hue. Making no claims to authenticity, Verdi created a unique musical palette for this opera. The grandeur of the subject is aptly conveyed with huge patriotic choruses, most notably the unforgettable Triumphal Scene in Act II. These public moments often serve as frames for the solos of the leading tenor and soprano: his soaring “Celeste Aida” right at the beginning of Act I, her impassioned “Ritorna vincitor!” that follows, and her great internal journey, “Qui Radamès verrà! … O patria mia” in Act III.
